The company produces content across television, films, and OTT platforms, with expertise in both fiction and non-fiction formats, reducing dependence on any single segment. Its diversified revenue model includes commissioned programming, films, digital series, and owned intellectual property, supporting long-term growth and operational resilience
The company follows a vertically integrated content production model, managing the entire process from ideation to delivery across television, films, OTT, and digital platforms to ensure quality and operational efficiency. Its balanced mix of commissioned projects and owned intellectual property, supported by strategic partnerships and profit-sharing arrangements, enhances revenue stability and long-term growth potential
The company has integrated in-house capabilities across creative development, scripting, production, and post-production, enabling efficient execution, quality control, and simultaneous management of multiple projects. Its expertise in developing original content, adapting international formats, and using audience insights supports consistent delivery across television, films, and digital platforms
The company's revenue is highly dependent on a limited number of broadcasters, film studios, and OTT platforms, making it vulnerable to changes in customer demand and commissioning decisions. The loss of key customers or a reduction in content orders could significantly impact its revenue, business, and financial performance
The company's business is exposed to risks from content-related controversies, negative publicity, and social media backlash, which could lead to legal action, reputational damage, and reduced commercial opportunities. Such events may result in lower viewership, loss of advertisers or platform support, and adversely affect its financial performance
The company's content production is subject to risks such as talent unavailability, resource constraints, and unforeseen events that may cause production delays and cost overruns. Such disruptions could lead to financial losses, contractual penalties, reputational damage, and loss of future business opportunities
Also called a profit and loss statement, an income statement shows a company’s income, expenses, and how much profit or loss it has made over a specific accounting period. It provides a clear view of how well the business is running.
| Particulars (in Cr) | Mar 2026 | Y/Y Change |
|---|---|---|
| Operating Revenue | 134.99 | +8.52% |
| Other Income | 0.91 | +33.82% |
| Total Income | 135.89 | +8.65% |
| Total Expenditure | 104.70 | +3.95% |
| EBIDT | 32.01 | +30.12% |
| Depreciation | 0.80 | +344.44% |
| Interest | 0.01 | -87.50% |
| Tax | 7.16 | +0.70% |
| Net Profit | 23.96 | +38.98% |
A balance sheet is a financial statement that details a company’s assets, liabilities, and shareholders’ equity at a given time. It helps assess how financially strong and stable the company is.
| Particulars (in Cr) | Mar 2026 |
|---|---|
| Total Current Assets | 152.46 |
| Total Non-Current Assets | 14.33 |
| Fixed assets | 1.81 |
| Total Assets | 166.80 |
| Total Current liabilities | 35.16 |
| Total Non Current Liabilities | 0.05 |
| Total Equity Plus Liabilities | 166.80 |
| Total Shareholder Funds | 131.47 |
| Total Debt to Equity | 0.00% |
Cash flow highlights the cash or cash equivalents moving in and out of a company during a particular period. It provides a clear picture of how well a company manages its cash by tracking its operating, investing and financing activities.
| Particulars (in Cr) | Mar 2026 |
|---|---|
| Cash from Operating Activity | -8.05 |
| Cash from Financing Activities | 10.22 |
| Cash from Investing Activities | -13.51 |
| Net Cash Flow | -11.35 |
Optimystix Entertainment India was incorporated on October 31, 2000. The company is engaged in creating and producing content for television, films, and digital platforms, with over two decades of experience in the Indian entertainment industry. It has produced more than 150 television shows spanning over 7,500 hours of programming across major broadcasters, with expertise in both fiction and non-fiction content
